At a time when the politics of hostility has engulfed the world and escalated it into senseless wars Main Vaapas Aaunga's unwavering belief in love is a testament to cinema's uplifting gifts, notes Sukanya Verma.
Ayushmann Khurrana, known for consistently breaking conventions with his choice of roles and projects since his 2012 debut in 'Vicky Donor', is gearing up for his new release 'Pati Patni Aur Woh Do'. Ahead of its release, a list ranks his top 10 standout films, highlighting his unique contributions to Indian cinema.
The three women add to the film's universal appeal.
The Great Shamsuddin Family is a seemingly light chamber piece that hides its claws of social commentary under the chirpy banter of an apartment full of women, observes Deepa Gahlot.
'Each mother I have played is different, but the writing dictates the doing of it. If it's written well, that's half the work done for an actor.'
Writer and director Anusha Rizvi returns to cinema after 15 years with warmth, wit and many a laughs.
'A majority of filmmakers cannot truly understand the city because they don't live here,' says Anusha Rizvi, Director, The Great Shamsuddin Family.
Aseem Chhabra ranks the Best of 2025's films that released in theatres, or went directly to OTT platforms.
Mayur Sanap wishes there was more to a this feel-good exercise that never reaches the dramatic heights it is aiming for.
Underdog stories always appeal to the audience if made well, and Aamir Khan's presence guarantees that, assures Deepa Gahlot.
Joginder Tuteja looks at the dadis of Bollywood.
As we wait for dark Dimple and her brazen bahus to spit fire on the small screen, Sukanya Verma looks at the cruel, cool ways of the Hindi film saasu-maa from then to now.
An ecstatic Shoojit Sircar talks about his most successful film's unprecedented success.
Here's a look at the winners of the 60th National Awards.
Bajatey Raho had a whole lot of potential but failed to realise it, writes Paloma Sharma.
Bajaatey Raho had a whole lot of potential but failed to realise it, writes Paloma Sharma.
Today's Hindi film mothers are younger, trendier, more mischievous. But, truth be told, says Dinesh Raheja, I still do miss sometimes the comforting presence of the trad mother.
Shahid, 34, however, lost the Best Actor trophy to Kannada actor Sanchari Vijay.
Film-makers seem to think a modern woman has to adopt the worst traits of men, observes Deepa Gahlot.
The jury is still out on Chhatriwali's flimsy public service, but Rakul sure passes the quality check, applauds Sukanya Verma.
'Mothers as characters may have the same problems as they had years ago.' 'But what's refreshing is how they are becoming more accepting towards the changes in society.'
Cinema halls have been ordered to shut down in many cities after the COVID-19 scare, so films are being screened only at a limited number of cinemas.
For audiences craving something new, Axone leaves a good impression, notes Joginder Tuteja.
Bringing you all the action from Malaysia.
Check out the winners.
Queen, directed by Vikas Bahl, has picked up an award for Best Hindi film as well.
Akshay Kumar leads the show in a manner only he can. There is the right swag coming into the picture, but more important it is his deadpan style that works in favour of the character he is playing, applauds Joginder Tuteja.
'The satire in Khajoor Pe Atke is not savage enough,' feels Prasanna Zore.
The hits and misses of the week.
The hits and misses of the week.
Bollywood's Christmas parties have started early.
'Her short black choli with a deep cut-out back and multi-coloured pom-poms became quite a sensation. It was clearly meant to draw your attention to Kareena's perfect figure.'
'For a very long time I could not bring myself to watch several of their films because I couldn't see them depressed, in trouble or dead on screen.' 'It was hard to separate my parents from their characters, so I stayed away.' 'It was only after I became an actor that it became a job requirement.'
